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Amon Carter Museum of American Art

3501 Camp Bowie Blvd., Fort Worth, TX

Phone:
1-(817)-738-1933

Website:
www.cartermuseum.org

Get Directions

Featured Event

Nature/Culture

Museum

We often think of nature as that which stands beyond humanity and culture as that which reflects people’s achievements. But rarely is the matter so simple. This exhibition explores different facets of the dichotomy. Besides reflecting on how nature counterpoints and enlivens our built environment, the show recognizes the more problematic use of the term, and its cousin “natural,” when applied to snapshots, portraits, and Native American cultures.

Information:
817-738-1933

• Thu 10/19/17 at 10:00 AM - 8:00 PM
• Fri 10/20/17 - Sat 10/21/17 at 10:00 AM - 5:00 PM
• Sun 10/22/17 at 12:00 PM - 5:00 PM
• Tue 10/24/17 - Wed 10/25/17 at 10:00 AM - 5:00 PM
• Thu 10/26/17 at 10:00 AM - 8:00 PM
• Fri 10/27/17 - Sat 10/28/17 at 10:00 AM - 5:00 PM
• Sun 10/29/17 at 12:00 PM - 5:00 PM
• Tue 10/31/17 - Wed 11/1/17 at 10:00 AM - 5:00 PM
• Thu 11/2/17 at 10:00 AM - 8:00 PM
• Fri 11/3/17 - Sat 11/4/17 at 10:00 AM - 5:00 PM
• Sun 11/5/17 at 12:00 PM - 5:00 PM
• Tue 11/7/17 - Wed 11/8/17 at 10:00 AM - 5:00 PM
• Thu 11/9/17 at 10:00 AM - 8:00 PM
• Fri 11/10/17 - Sat 11/11/17 at 10:00 AM - 5:00 PM
• Sun 11/12/17 at 12:00 PM - 5:00 PM
• Tue 11/14/17 - Wed 11/15/17 at 10:00 AM - 5:00 PM
• Thu 11/16/17 at 10:00 AM - 8:00 PM
• Fri 11/17/17 - Sat 11/18/17 at 10:00 AM - 5:00 PM
• Sun 11/19/17 at 12:00 PM - 5:00 PM
• Tue 11/21/17 - Wed 11/22/17 at 10:00 AM - 5:00 PM
• Thu 11/23/17 at 10:00 AM - 8:00 PM
• Fri 11/24/17 - Sat 11/25/17 at 10:00 AM - 5:00 PM
• Sun 11/26/17 at 12:00 PM - 5:00 PM
• Tue 11/28/17 - Wed 11/29/17 at 10:00 AM - 5:00 PM
• Thu 11/30/17 at 10:00 AM - 8:00 PM
• Fri 12/1/17 - Sat 12/2/17 at 10:00 AM - 5:00 PM
• Sun 12/3/17 at 12:00 PM - 5:00 PM
• Tue 12/5/17 - Wed 12/6/17 at 10:00 AM - 5:00 PM
• Thu 12/7/17 at 10:00 AM - 8:00 PM
• Fri 12/8/17 - Sat 12/9/17 at 10:00 AM - 5:00 PM
• Sun 12/10/17 at 12:00 PM - 5:00 PM

Other Upcoming Events

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Thu 10/19/17 at 10:00 AM - 8:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Thu 10/19/17 at 10:00 AM - 8:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Thu 10/19/17 at 10:00 AM - 8:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Thu 10/19/17 at 10:00 AM - 8:00 PM

Wild Spaces, Open Seasons: Hunting & Fishing in American Art

Museum

Wild Spaces, Open Seasons: Hunting and Fishing in American Art is the first major exhibition to explore the multifaceted meanings of such outdoor subjects in both painting and sculpture from the early nineteenth century to World War II. These aesthetically rich and culturally important works play an influential role in the history of American art.

Information:
817-738-1933

• Thu 10/19/17 at 10:00 AM - 8:00 PM
• Fri 10/20/17 - Sat 10/21/17 at 10:00 AM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Fri 10/20/17 - Sat 10/21/17 at 10:00 AM - 5:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Fri 10/20/17 - Sat 10/21/17 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Fri 10/20/17 - Sat 10/21/17 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Fri 10/20/17 - Sat 10/21/17 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Sun 10/22/17 at 12:00 PM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Sun 10/22/17 at 12:00 PM - 5:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Sun 10/22/17 at 12:00 PM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Sun 10/22/17 at 12:00 PM - 5:00 PM

Wild Spaces, Open Seasons: Hunting & Fishing in American Art

Museum

Wild Spaces, Open Seasons: Hunting and Fishing in American Art is the first major exhibition to explore the multifaceted meanings of such outdoor subjects in both painting and sculpture from the early nineteenth century to World War II. These aesthetically rich and culturally important works play an influential role in the history of American art.

Information:
817-738-1933

• Sun 10/22/17 at 12:00 PM - 5:00 PM
• Tue 10/24/17 - Wed 10/25/17 at 10:00 AM - 5:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Tue 10/24/17 - Wed 10/25/17 at 10:00 AM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Tue 10/24/17 - Wed 10/25/17 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Tue 10/24/17 - Wed 10/25/17 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Tue 10/24/17 - Wed 10/25/17 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Thu 10/26/17 at 10:00 AM - 8:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Thu 10/26/17 at 10:00 AM - 8:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Thu 10/26/17 at 10:00 AM - 8:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Thu 10/26/17 at 10:00 AM - 8:00 PM

Wild Spaces, Open Seasons: Hunting & Fishing in American Art

Museum

Wild Spaces, Open Seasons: Hunting and Fishing in American Art is the first major exhibition to explore the multifaceted meanings of such outdoor subjects in both painting and sculpture from the early nineteenth century to World War II. These aesthetically rich and culturally important works play an influential role in the history of American art.

Information:
817-738-1933

• Thu 10/26/17 at 10:00 AM - 8:00 PM
• Fri 10/27/17 - Sat 10/28/17 at 10:00 AM - 5:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Fri 10/27/17 - Sat 10/28/17 at 10:00 AM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Fri 10/27/17 - Sat 10/28/17 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Fri 10/27/17 - Sat 10/28/17 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Fri 10/27/17 - Sat 10/28/17 at 10:00 AM - 5:00 PM
• Sun 10/29/17 at 12:00 PM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Sun 10/29/17 at 12:00 PM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Sun 10/29/17 at 12:00 PM - 5:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Sun 10/29/17 at 12:00 PM - 5:00 PM

Wild Spaces, Open Seasons: Hunting & Fishing in American Art

Museum

Wild Spaces, Open Seasons: Hunting and Fishing in American Art is the first major exhibition to explore the multifaceted meanings of such outdoor subjects in both painting and sculpture from the early nineteenth century to World War II. These aesthetically rich and culturally important works play an influential role in the history of American art.

Information:
817-738-1933

• Sun 10/29/17 at 12:00 PM - 5:00 PM
• Tue 10/31/17 - Wed 11/1/17 at 10:00 AM - 5:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Tue 10/31/17 - Wed 11/1/17 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Tue 10/31/17 - Wed 11/1/17 at 10:00 AM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Tue 10/31/17 - Wed 11/1/17 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Tue 10/31/17 - Wed 11/1/17 at 10:00 AM - 5:00 PM
• Thu 11/2/17 at 10:00 AM - 8:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Thu 11/2/17 at 10:00 AM - 8:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Thu 11/2/17 at 10:00 AM - 8:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Thu 11/2/17 at 10:00 AM - 8:00 PM

Wild Spaces, Open Seasons: Hunting & Fishing in American Art

Museum

Wild Spaces, Open Seasons: Hunting and Fishing in American Art is the first major exhibition to explore the multifaceted meanings of such outdoor subjects in both painting and sculpture from the early nineteenth century to World War II. These aesthetically rich and culturally important works play an influential role in the history of American art.

Information:
817-738-1933

• Thu 11/2/17 at 10:00 AM - 8:00 PM
• Fri 11/3/17 - Sat 11/4/17 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Fri 11/3/17 - Sat 11/4/17 at 10:00 AM - 5:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Fri 11/3/17 - Sat 11/4/17 at 10:00 AM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Fri 11/3/17 - Sat 11/4/17 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Fri 11/3/17 - Sat 11/4/17 at 10:00 AM - 5:00 PM
• Sun 11/5/17 at 12:00 PM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Sun 11/5/17 at 12:00 PM - 5:00 PM

Wild Spaces, Open Seasons: Hunting & Fishing in American Art

Museum

Wild Spaces, Open Seasons: Hunting and Fishing in American Art is the first major exhibition to explore the multifaceted meanings of such outdoor subjects in both painting and sculpture from the early nineteenth century to World War II. These aesthetically rich and culturally important works play an influential role in the history of American art.

Information:
817-738-1933

• Sun 11/5/17 at 12:00 PM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Sun 11/5/17 at 12:00 PM - 5:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Sun 11/5/17 at 12:00 PM - 5:00 PM
• Tue 11/7/17 - Wed 11/8/17 at 10:00 AM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Tue 11/7/17 - Wed 11/8/17 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Tue 11/7/17 - Wed 11/8/17 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Tue 11/7/17 - Wed 11/8/17 at 10:00 AM - 5:00 PM

Wild Spaces, Open Seasons: Hunting & Fishing in American Art

Museum

Wild Spaces, Open Seasons: Hunting and Fishing in American Art is the first major exhibition to explore the multifaceted meanings of such outdoor subjects in both painting and sculpture from the early nineteenth century to World War II. These aesthetically rich and culturally important works play an influential role in the history of American art.

Information:
817-738-1933

• Tue 11/7/17 - Wed 11/8/17 at 10:00 AM - 5:00 PM
• Thu 11/9/17 at 10:00 AM - 8:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Thu 11/9/17 at 10:00 AM - 8:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Thu 11/9/17 at 10:00 AM - 8:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Thu 11/9/17 at 10:00 AM - 8:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Thu 11/9/17 at 10:00 AM - 8:00 PM
• Fri 11/10/17 - Sat 11/11/17 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Fri 11/10/17 - Sat 11/11/17 at 10:00 AM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Fri 11/10/17 - Sat 11/11/17 at 10:00 AM - 5:00 PM

Wild Spaces, Open Seasons: Hunting & Fishing in American Art

Museum

Wild Spaces, Open Seasons: Hunting and Fishing in American Art is the first major exhibition to explore the multifaceted meanings of such outdoor subjects in both painting and sculpture from the early nineteenth century to World War II. These aesthetically rich and culturally important works play an influential role in the history of American art.

Information:
817-738-1933

• Fri 11/10/17 - Sat 11/11/17 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Fri 11/10/17 - Sat 11/11/17 at 10:00 AM - 5:00 PM
• Sun 11/12/17 at 12:00 PM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Sun 11/12/17 at 12:00 PM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Sun 11/12/17 at 12:00 PM - 5:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Sun 11/12/17 at 12:00 PM - 5:00 PM

Wild Spaces, Open Seasons: Hunting & Fishing in American Art

Museum

Wild Spaces, Open Seasons: Hunting and Fishing in American Art is the first major exhibition to explore the multifaceted meanings of such outdoor subjects in both painting and sculpture from the early nineteenth century to World War II. These aesthetically rich and culturally important works play an influential role in the history of American art.

Information:
817-738-1933

• Sun 11/12/17 at 12:00 PM - 5:00 PM
• Tue 11/14/17 - Wed 11/15/17 at 10:00 AM - 5:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Tue 11/14/17 - Wed 11/15/17 at 10:00 AM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Tue 11/14/17 - Wed 11/15/17 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Tue 11/14/17 - Wed 11/15/17 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Tue 11/14/17 - Wed 11/15/17 at 10:00 AM - 5:00 PM
• Thu 11/16/17 at 10:00 AM - 8:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Thu 11/16/17 at 10:00 AM - 8:00 PM

Wild Spaces, Open Seasons: Hunting & Fishing in American Art

Museum

Wild Spaces, Open Seasons: Hunting and Fishing in American Art is the first major exhibition to explore the multifaceted meanings of such outdoor subjects in both painting and sculpture from the early nineteenth century to World War II. These aesthetically rich and culturally important works play an influential role in the history of American art.

Information:
817-738-1933

• Thu 11/16/17 at 10:00 AM - 8:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Thu 11/16/17 at 10:00 AM - 8:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Thu 11/16/17 at 10:00 AM - 8:00 PM
• Fri 11/17/17 - Sat 11/18/17 at 10:00 AM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Fri 11/17/17 - Sat 11/18/17 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Fri 11/17/17 - Sat 11/18/17 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Fri 11/17/17 - Sat 11/18/17 at 10:00 AM - 5:00 PM

Wild Spaces, Open Seasons: Hunting & Fishing in American Art

Museum

Wild Spaces, Open Seasons: Hunting and Fishing in American Art is the first major exhibition to explore the multifaceted meanings of such outdoor subjects in both painting and sculpture from the early nineteenth century to World War II. These aesthetically rich and culturally important works play an influential role in the history of American art.

Information:
817-738-1933

• Fri 11/17/17 - Sat 11/18/17 at 10:00 AM - 5:00 PM
• Sun 11/19/17 at 12:00 PM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Sun 11/19/17 at 12:00 PM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Sun 11/19/17 at 12:00 PM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Sun 11/19/17 at 12:00 PM - 5:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Sun 11/19/17 at 12:00 PM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Tue 11/21/17 - Wed 11/22/17 at 10:00 AM - 5:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Tue 11/21/17 - Wed 11/22/17 at 10:00 AM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Tue 11/21/17 - Wed 11/22/17 at 10:00 AM - 5:00 PM

Wild Spaces, Open Seasons: Hunting & Fishing in American Art

Museum

Wild Spaces, Open Seasons: Hunting and Fishing in American Art is the first major exhibition to explore the multifaceted meanings of such outdoor subjects in both painting and sculpture from the early nineteenth century to World War II. These aesthetically rich and culturally important works play an influential role in the history of American art.

Information:
817-738-1933

• Tue 11/21/17 - Wed 11/22/17 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Tue 11/21/17 - Wed 11/22/17 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Thu 11/23/17 at 10:00 AM - 8:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Thu 11/23/17 at 10:00 AM - 8:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Thu 11/23/17 at 10:00 AM - 8:00 PM
• Fri 11/24/17 - Sat 11/25/17 at 10:00 AM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Fri 11/24/17 - Sat 11/25/17 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Fri 11/24/17 - Sat 11/25/17 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Fri 11/24/17 - Sat 11/25/17 at 10:00 AM - 5:00 PM

Wild Spaces, Open Seasons: Hunting & Fishing in American Art

Museum

Wild Spaces, Open Seasons: Hunting and Fishing in American Art is the first major exhibition to explore the multifaceted meanings of such outdoor subjects in both painting and sculpture from the early nineteenth century to World War II. These aesthetically rich and culturally important works play an influential role in the history of American art.

Information:
817-738-1933

• Fri 11/24/17 - Sat 11/25/17 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Sun 11/26/17 at 12:00 PM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Sun 11/26/17 at 12:00 PM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Sun 11/26/17 at 12:00 PM - 5:00 PM

Wild Spaces, Open Seasons: Hunting & Fishing in American Art

Museum

Wild Spaces, Open Seasons: Hunting and Fishing in American Art is the first major exhibition to explore the multifaceted meanings of such outdoor subjects in both painting and sculpture from the early nineteenth century to World War II. These aesthetically rich and culturally important works play an influential role in the history of American art.

Information:
817-738-1933

• Sun 11/26/17 at 12:00 PM - 5:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Sun 11/26/17 at 12:00 PM - 5:00 PM
• Tue 11/28/17 - Wed 11/29/17 at 10:00 AM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Tue 11/28/17 - Wed 11/29/17 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Tue 11/28/17 - Wed 11/29/17 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Tue 11/28/17 - Wed 11/29/17 at 10:00 AM - 5:00 PM

Wild Spaces, Open Seasons: Hunting & Fishing in American Art

Museum

Wild Spaces, Open Seasons: Hunting and Fishing in American Art is the first major exhibition to explore the multifaceted meanings of such outdoor subjects in both painting and sculpture from the early nineteenth century to World War II. These aesthetically rich and culturally important works play an influential role in the history of American art.

Information:
817-738-1933

• Tue 11/28/17 - Wed 11/29/17 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Thu 11/30/17 at 10:00 AM - 8:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Thu 11/30/17 at 10:00 AM - 8:00 PM

Wild Spaces, Open Seasons: Hunting & Fishing in American Art

Museum

Wild Spaces, Open Seasons: Hunting and Fishing in American Art is the first major exhibition to explore the multifaceted meanings of such outdoor subjects in both painting and sculpture from the early nineteenth century to World War II. These aesthetically rich and culturally important works play an influential role in the history of American art.

Information:
817-738-1933

• Thu 11/30/17 at 10:00 AM - 8:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Thu 11/30/17 at 10:00 AM - 8:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Thu 11/30/17 at 10:00 AM - 8:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Fri 12/1/17 - Sat 12/2/17 at 10:00 AM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Fri 12/1/17 - Sat 12/2/17 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Fri 12/1/17 - Sat 12/2/17 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Fri 12/1/17 - Sat 12/2/17 at 10:00 AM - 5:00 PM

Wild Spaces, Open Seasons: Hunting & Fishing in American Art

Museum

Wild Spaces, Open Seasons: Hunting and Fishing in American Art is the first major exhibition to explore the multifaceted meanings of such outdoor subjects in both painting and sculpture from the early nineteenth century to World War II. These aesthetically rich and culturally important works play an influential role in the history of American art.

Information:
817-738-1933

• Fri 12/1/17 - Sat 12/2/17 at 10:00 AM - 5:00 PM
• Sun 12/3/17 at 12:00 PM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Sun 12/3/17 at 12:00 PM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Sun 12/3/17 at 12:00 PM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Sun 12/3/17 at 12:00 PM - 5:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Sun 12/3/17 at 12:00 PM - 5:00 PM
• Tue 12/5/17 - Wed 12/6/17 at 10:00 AM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Tue 12/5/17 - Wed 12/6/17 at 10:00 AM - 5:00 PM

Wild Spaces, Open Seasons: Hunting & Fishing in American Art

Museum

Wild Spaces, Open Seasons: Hunting and Fishing in American Art is the first major exhibition to explore the multifaceted meanings of such outdoor subjects in both painting and sculpture from the early nineteenth century to World War II. These aesthetically rich and culturally important works play an influential role in the history of American art.

Information:
817-738-1933

• Tue 12/5/17 - Wed 12/6/17 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Tue 12/5/17 - Wed 12/6/17 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Tue 12/5/17 - Wed 12/6/17 at 10:00 AM - 5:00 PM
• Thu 12/7/17 at 10:00 AM - 8:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Thu 12/7/17 at 10:00 AM - 8:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Thu 12/7/17 at 10:00 AM - 8:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Thu 12/7/17 at 10:00 AM - 8:00 PM

Wild Spaces, Open Seasons: Hunting & Fishing in American Art

Museum

Wild Spaces, Open Seasons: Hunting and Fishing in American Art is the first major exhibition to explore the multifaceted meanings of such outdoor subjects in both painting and sculpture from the early nineteenth century to World War II. These aesthetically rich and culturally important works play an influential role in the history of American art.

Information:
817-738-1933

• Thu 12/7/17 at 10:00 AM - 8:00 PM
• Fri 12/8/17 - Sat 12/9/17 at 10:00 AM - 5:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Fri 12/8/17 - Sat 12/9/17 at 10:00 AM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Fri 12/8/17 - Sat 12/9/17 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Fri 12/8/17 - Sat 12/9/17 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Fri 12/8/17 - Sat 12/9/17 at 10:00 AM - 5:00 PM
• Sun 12/10/17 at 12:00 PM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Sun 12/10/17 at 12:00 PM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Sun 12/10/17 at 12:00 PM - 5:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Sun 12/10/17 at 12:00 PM - 5:00 PM

Wild Spaces, Open Seasons: Hunting & Fishing in American Art

Museum

Wild Spaces, Open Seasons: Hunting and Fishing in American Art is the first major exhibition to explore the multifaceted meanings of such outdoor subjects in both painting and sculpture from the early nineteenth century to World War II. These aesthetically rich and culturally important works play an influential role in the history of American art.

Information:
817-738-1933

• Sun 12/10/17 at 12:00 PM - 5:00 PM
• Tue 12/12/17 - Wed 12/13/17 at 10:00 AM - 5:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Tue 12/12/17 - Wed 12/13/17 at 10:00 AM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Tue 12/12/17 - Wed 12/13/17 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Tue 12/12/17 - Wed 12/13/17 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Tue 12/12/17 - Wed 12/13/17 at 10:00 AM - 5:00 PM
• Thu 12/14/17 at 10:00 AM - 8:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Thu 12/14/17 at 10:00 AM - 8:00 PM

Wild Spaces, Open Seasons: Hunting & Fishing in American Art

Museum

Wild Spaces, Open Seasons: Hunting and Fishing in American Art is the first major exhibition to explore the multifaceted meanings of such outdoor subjects in both painting and sculpture from the early nineteenth century to World War II. These aesthetically rich and culturally important works play an influential role in the history of American art.

Information:
817-738-1933

• Thu 12/14/17 at 10:00 AM - 8:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Thu 12/14/17 at 10:00 AM - 8:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Thu 12/14/17 at 10:00 AM - 8:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Fri 12/15/17 - Sat 12/16/17 at 10:00 AM - 5:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Fri 12/15/17 - Sat 12/16/17 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Fri 12/15/17 - Sat 12/16/17 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Fri 12/15/17 - Sat 12/16/17 at 10:00 AM - 5:00 PM

Wild Spaces, Open Seasons: Hunting & Fishing in American Art

Museum

Wild Spaces, Open Seasons: Hunting and Fishing in American Art is the first major exhibition to explore the multifaceted meanings of such outdoor subjects in both painting and sculpture from the early nineteenth century to World War II. These aesthetically rich and culturally important works play an influential role in the history of American art.

Information:
817-738-1933

• Fri 12/15/17 - Sat 12/16/17 at 10:00 AM - 5:00 PM
• Sun 12/17/17 at 12:00 PM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Sun 12/17/17 at 12:00 PM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Sun 12/17/17 at 12:00 PM - 5:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Sun 12/17/17 at 12:00 PM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Sun 12/17/17 at 12:00 PM - 5:00 PM
• Tue 12/19/17 - Wed 12/20/17 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Tue 12/19/17 - Wed 12/20/17 at 10:00 AM - 5:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Tue 12/19/17 - Wed 12/20/17 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Tue 12/19/17 - Wed 12/20/17 at 10:00 AM - 5:00 PM

Wild Spaces, Open Seasons: Hunting & Fishing in American Art

Museum

Wild Spaces, Open Seasons: Hunting and Fishing in American Art is the first major exhibition to explore the multifaceted meanings of such outdoor subjects in both painting and sculpture from the early nineteenth century to World War II. These aesthetically rich and culturally important works play an influential role in the history of American art.

Information:
817-738-1933

• Tue 12/19/17 - Wed 12/20/17 at 10:00 AM - 5:00 PM
• Thu 12/21/17 at 10:00 AM - 8:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Thu 12/21/17 at 10:00 AM - 8:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Thu 12/21/17 at 10:00 AM - 8:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Thu 12/21/17 at 10:00 AM - 8:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Thu 12/21/17 at 10:00 AM - 8:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Fri 12/22/17 - Sat 12/23/17 at 10:00 AM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Fri 12/22/17 - Sat 12/23/17 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Fri 12/22/17 - Sat 12/23/17 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Fri 12/22/17 - Sat 12/23/17 at 10:00 AM - 5:00 PM

Wild Spaces, Open Seasons: Hunting & Fishing in American Art

Museum

Wild Spaces, Open Seasons: Hunting and Fishing in American Art is the first major exhibition to explore the multifaceted meanings of such outdoor subjects in both painting and sculpture from the early nineteenth century to World War II. These aesthetically rich and culturally important works play an influential role in the history of American art.

Information:
817-738-1933

• Fri 12/22/17 - Sat 12/23/17 at 10:00 AM - 5:00 PM
• Sun 12/24/17 at 12:00 PM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Sun 12/24/17 at 12:00 PM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Sun 12/24/17 at 12:00 PM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Sun 12/24/17 at 12:00 PM - 5:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Sun 12/24/17 at 12:00 PM - 5:00 PM
• Tue 12/26/17 - Wed 12/27/17 at 10:00 AM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Tue 12/26/17 - Wed 12/27/17 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Tue 12/26/17 - Wed 12/27/17 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Tue 12/26/17 - Wed 12/27/17 at 10:00 AM - 5:00 PM

Wild Spaces, Open Seasons: Hunting & Fishing in American Art

Museum

Wild Spaces, Open Seasons: Hunting and Fishing in American Art is the first major exhibition to explore the multifaceted meanings of such outdoor subjects in both painting and sculpture from the early nineteenth century to World War II. These aesthetically rich and culturally important works play an influential role in the history of American art.

Information:
817-738-1933

• Tue 12/26/17 - Wed 12/27/17 at 10:00 AM - 5:00 PM
• Thu 12/28/17 at 10:00 AM - 8:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Thu 12/28/17 at 10:00 AM - 8:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Thu 12/28/17 at 10:00 AM - 8:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Thu 12/28/17 at 10:00 AM - 8:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Thu 12/28/17 at 10:00 AM - 8:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Fri 12/29/17 - Sat 12/30/17 at 10:00 AM - 5:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Fri 12/29/17 - Sat 12/30/17 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Fri 12/29/17 - Sat 12/30/17 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Fri 12/29/17 - Sat 12/30/17 at 10:00 AM - 5:00 PM

Wild Spaces, Open Seasons: Hunting & Fishing in American Art

Museum

Wild Spaces, Open Seasons: Hunting and Fishing in American Art is the first major exhibition to explore the multifaceted meanings of such outdoor subjects in both painting and sculpture from the early nineteenth century to World War II. These aesthetically rich and culturally important works play an influential role in the history of American art.

Information:
817-738-1933

• Fri 12/29/17 - Sat 12/30/17 at 10:00 AM - 5:00 PM
• Sun 12/31/17 at 12:00 PM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Sun 12/31/17 at 12:00 PM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Sun 12/31/17 at 12:00 PM - 5:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Sun 12/31/17 at 12:00 PM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Sun 12/31/17 at 12:00 PM - 5:00 PM
• Tue 1/2/18 - Wed 1/3/18 at 10:00 AM - 5:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Tue 1/2/18 - Wed 1/3/18 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Tue 1/2/18 - Wed 1/3/18 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Tue 1/2/18 - Wed 1/3/18 at 10:00 AM - 5:00 PM

Wild Spaces, Open Seasons: Hunting & Fishing in American Art

Museum

Wild Spaces, Open Seasons: Hunting and Fishing in American Art is the first major exhibition to explore the multifaceted meanings of such outdoor subjects in both painting and sculpture from the early nineteenth century to World War II. These aesthetically rich and culturally important works play an influential role in the history of American art.

Information:
817-738-1933

• Tue 1/2/18 - Wed 1/3/18 at 10:00 AM - 5:00 PM
• Thu 1/4/18 at 10:00 AM - 8:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Thu 1/4/18 at 10:00 AM - 8:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Thu 1/4/18 at 10:00 AM - 8:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Thu 1/4/18 at 10:00 AM - 8:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Thu 1/4/18 at 10:00 AM - 8:00 PM

Wild Spaces, Open Seasons: Hunting & Fishing in American Art

Museum

Wild Spaces, Open Seasons: Hunting and Fishing in American Art is the first major exhibition to explore the multifaceted meanings of such outdoor subjects in both painting and sculpture from the early nineteenth century to World War II. These aesthetically rich and culturally important works play an influential role in the history of American art.

Information:
817-738-1933

• Fri 1/5/18 - Sat 1/6/18 at 10:00 AM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Fri 1/5/18 - Sat 1/6/18 at 10:00 AM - 5:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Fri 1/5/18 - Sat 1/6/18 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Fri 1/5/18 - Sat 1/6/18 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Fri 1/5/18 - Sat 1/6/18 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Sun 1/7/18 at 12:00 PM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Sun 1/7/18 at 12:00 PM - 5:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Sun 1/7/18 at 12:00 PM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Sun 1/7/18 at 12:00 PM - 5:00 PM

Wild Spaces, Open Seasons: Hunting & Fishing in American Art

Museum

Wild Spaces, Open Seasons: Hunting and Fishing in American Art is the first major exhibition to explore the multifaceted meanings of such outdoor subjects in both painting and sculpture from the early nineteenth century to World War II. These aesthetically rich and culturally important works play an influential role in the history of American art.

Information:
817-738-1933

• Sun 1/7/18 at 12:00 PM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Tue 1/9/18 - Wed 1/10/18 at 10:00 AM - 5:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Tue 1/9/18 - Wed 1/10/18 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Tue 1/9/18 - Wed 1/10/18 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Tue 1/9/18 - Wed 1/10/18 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Thu 1/11/18 at 10:00 AM - 8:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Thu 1/11/18 at 10:00 AM - 8:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Thu 1/11/18 at 10:00 AM - 8:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Thu 1/11/18 at 10:00 AM - 8:00 PM
• Fri 1/12/18 - Sat 1/13/18 at 10:00 AM - 5:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Fri 1/12/18 - Sat 1/13/18 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Fri 1/12/18 - Sat 1/13/18 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Fri 1/12/18 - Sat 1/13/18 at 10:00 AM - 5:00 PM
• Sun 1/14/18 at 12:00 PM - 5:00 PM

Dornith Doherty: Archiving Eden

Museum

Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia.

Information:
817-738-1933

• Sun 1/14/18 at 12:00 PM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Sun 1/14/18 at 12:00 PM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Sun 1/14/18 at 12:00 PM - 5:00 PM
• Tue 1/16/18 - Wed 1/17/18 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Tue 1/16/18 - Wed 1/17/18 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Tue 1/16/18 - Wed 1/17/18 at 10:00 AM - 5:00 PM
• Thu 1/18/18 at 10:00 AM - 8:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Thu 1/18/18 at 10:00 AM - 8:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Thu 1/18/18 at 10:00 AM - 8:00 PM
• Fri 1/19/18 - Sat 1/20/18 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Fri 1/19/18 - Sat 1/20/18 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Fri 1/19/18 - Sat 1/20/18 at 10:00 AM - 5:00 PM
• Sun 1/21/18 at 12:00 PM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Sun 1/21/18 at 12:00 PM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Sun 1/21/18 at 12:00 PM - 5:00 PM
• Tue 1/23/18 - Wed 1/24/18 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Tue 1/23/18 - Wed 1/24/18 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Tue 1/23/18 - Wed 1/24/18 at 10:00 AM - 5:00 PM
• Thu 1/25/18 at 10:00 AM - 8:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Thu 1/25/18 at 10:00 AM - 8:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Thu 1/25/18 at 10:00 AM - 8:00 PM
• Fri 1/26/18 - Sat 1/27/18 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Fri 1/26/18 - Sat 1/27/18 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Fri 1/26/18 - Sat 1/27/18 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Sun 1/28/18 at 12:00 PM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Sun 1/28/18 at 12:00 PM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Sun 1/28/18 at 12:00 PM - 5:00 PM
• Tue 1/30/18 - Wed 1/31/18 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Tue 1/30/18 - Wed 1/31/18 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Tue 1/30/18 - Wed 1/31/18 at 10:00 AM - 5:00 PM
• Thu 2/1/18 at 10:00 AM - 8:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Thu 2/1/18 at 10:00 AM - 8:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Thu 2/1/18 at 10:00 AM - 8:00 PM
• Fri 2/2/18 - Sat 2/3/18 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Fri 2/2/18 - Sat 2/3/18 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Fri 2/2/18 - Sat 2/3/18 at 10:00 AM - 5:00 PM
• Sun 2/4/18 at 12:00 PM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Sun 2/4/18 at 12:00 PM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Sun 2/4/18 at 12:00 PM - 5:00 PM
• Tue 2/6/18 - Wed 2/7/18 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Tue 2/6/18 - Wed 2/7/18 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Tue 2/6/18 - Wed 2/7/18 at 10:00 AM - 5:00 PM
• Thu 2/8/18 at 10:00 AM - 8:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Thu 2/8/18 at 10:00 AM - 8:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Thu 2/8/18 at 10:00 AM - 8:00 PM
• Fri 2/9/18 - Sat 2/10/18 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Fri 2/9/18 - Sat 2/10/18 at 10:00 AM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Fri 2/9/18 - Sat 2/10/18 at 10:00 AM - 5:00 PM
• Sun 2/11/18 at 12:00 PM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Sun 2/11/18 at 12:00 PM - 5:00 PM

Caught on Paper

Museum,Drawings/Works on Paper

From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sports of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of paintings and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking firm Currier and Ives or humorous photographs representing the day's catch on the back of a postcard, these works lure viewers into their action through their daring tales.

Information:
817-738-1933

• Sun 2/11/18 at 12:00 PM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Tue 2/13/18 - Wed 2/14/18 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Tue 2/13/18 - Wed 2/14/18 at 10:00 AM - 5:00 PM
• Thu 2/15/18 at 10:00 AM - 8:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Thu 2/15/18 at 10:00 AM - 8:00 PM
• Fri 2/16/18 - Sat 2/17/18 at 10:00 AM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Fri 2/16/18 - Sat 2/17/18 at 10:00 AM - 5:00 PM
• Sun 2/18/18 at 12:00 PM - 5:00 PM

Hugh the Hunter

Museum

A fitting companion and contradiction to the celebratory exhibitions Wild Spaces, Open Seasons and Caught on Paper, the film Hugh the Hunter engages with contemporary issues of race, class, and the practice of hunting.

Information:
817-738-1933

• Sun 2/18/18 at 12:00 PM - 5:00 PM

Darryl Lauster: Trace

Museum

For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching meaning is difficult to discern, much as many of the texts in their entirety are subject to differing interpretations. They seem to have fallen from an ancient building, as he remarks, “alluding to the possibility of an empire in its potential decline.”

Information:
817-738-1933

• Tue 2/20/18 - Wed 2/21/18 at 10:00 AM - 5:00 PM
• Thu 2/22/18 at 10:00 AM - 8:00 PM
• Fri 2/23/18 - Sat 2/24/18 at 10:00 AM - 5:00 PM
• Sun 2/25/18 at 12:00 PM - 5:00 PM
• Tue 2/27/18 - Wed 2/28/18 at 10:00 AM - 5:00 PM
• Thu 3/1/18 at 10:00 AM - 8:00 PM
• Fri 3/2/18 - Sat 3/3/18 at 10:00 AM - 5:00 PM
• Sun 3/4/18 at 12:00 PM - 5:00 PM
• Tue 3/6/18 - Wed 3/7/18 at 10:00 AM - 5:00 PM
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